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Holub Satire is one of the most difficult
types of humor to write because your satirical point of view can get you
into serious trouble. Americans as a general rule dont have a sense of
humor. In other countries you can get thrown in jail or worse. When I first started the Frumious
Bandersnatch in the 1960s we had FBI agents going to our advertisers
threatening them if they supported us. In the last 10 years the
Bandersnatch managed to get on federally mandated library filtering
systems, even though the name of the site is derived from Lewis
Carrolls Effective satire points out how stupid,
silly, or ridiculous something or someone is. The target of satire
generally doesnt like being discredited and (if your article is really
good) subjected to scorn. There are some tricks to writing good
and effective satire. First, is understand the importance of
context. For example, the Obama cartoon in the New Yorker was out of
context, which is why it didnt work as well as it might have in, say,
Mad Magazine. If a satirical article catches the
reader by surprise, they might not get the humor. Thus, in plying your satirical wit, make
sure you target it in a context where the reader is looking for humor. This is why Saturday Night Live, John
Stewart and Colbert work because you know its coming. A satirical story
would flop in the network news. Rarely do you ever see a satirical
commentary in a regular newspapers editorial pages. The Bandersnatch, which Ive been
publishing since 1965, is clearly a satirical newspaper. One should not
expect a serious news story there. Even at that, the paper makes a point
that it is the least trustworthy source of news on the web. Notwithstanding every attempt to make it
clear the content of the Bandersnatch is fake, sometimes people miss the
point. We ran a story about the Second, vicious does not work.
Trenchant is a key word to remember. Sharp, vigorously effective. Words
like delightfully vicious is more the goal. Third, obscenity detracts from good
satire. The best satire is very literate. Fourth, the more subtle and
authoritative your satire is, the more effective it is. British humor is
very understated, and absolutely funny as a result. Americans tend to
be over the top. Appearing to be serious while in fact the content is not,
works very well. The best satire mimics authoritative presentation so that
at a glance it might appear to be real. The best satire works in tandem with the
level of the readers understanding of the subject or topic of the
satire. If people care enough about a subject, they will be current on it
and knowledgeable about it. Assume your reader is intelligent. Fifth, the trick is to make sure the
made-up farcical element is clear. For example, the authoritative
quotations in the Frumious Bandersnatch almost always from some faculty
member of the General Delivery University, which is billed as
Americas only genuine diploma mill. Sixth, one path
to good satire is taking an existing trend or direction of a story, and
keep going as far over the edge as you dare. The ultimate truth (and
justification for seeing something as outrageous) is to follow the logical
trend way out there and see
where it takes you. A lot of satirical humor has erupted from the current
economic bailout efforts
if banks can get bailed out, why not
someone
who just blew $42,000 in Vegas last weekend? Seventh, another path to effective
satire is turn the story upside down. For example, my book Get In Touch
With Your Inner Rodent is a parody of self-help books
and is based on
advice that is just the opposite of anything that could really be useful. One of the Bandersnatchs best stories
was when the first Martian lander started reporting from Mars. We started
running stories from the Martian resistance point of view as the Martians
tried to repel the Earth invaders. Eighth, pick your subject carefully. The
more visible and serious the target is, the easier it is to satirize them.
This is what editorial cartoonist do
take highly visible people or
topics, then stretch the most identifying elements. Thus George Bush has
grown smaller over the years, and his ears grow bigger (and his nose gets
longer). People or subjects that arent highly visible make poor
satirical targets because no one will get it because they dont know who
you are talking about. Ninth, is in order to avoid getting sued
for libel in the Finally, do not expect to get rich
writing satire. There is virtually no market for paid satirical writing.
The joy in writing satire comes from not only the reaction of readers who
enjoy it, the real high comes when the target of satire reacts to your
piece. Those who need to be satirized take
themselves way too seriously. Puncturing their pomposity and certainty
that they are the fount of all good and right and knowledge brings them
down to earth. And with surprising frequency, those who need to be brought
back among us mortals will provide the second act to your satirical barb
and give it vastly more attention than it would otherwise have gotten.
Just hope they arent the director of the FBI.
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